FEATURES

• Amazing analog synthesizer with triple VCO design allows for insanely fat music creation

• Authentic reproduction of ultra-rare ARP Grey Meanie circuitry from the ‘70s with specially selected opamps and transistors

• Semi-modular architecture requires no patching for immediate performance

• 3 VCOs, each with LFO mode, FM inputs and multiple wave-shape outputs for an awe-inspiring palette of tonal possibilities

• Multi-mode VCF with dedicated low-pass output and additional switched high/notch output

• Incredible range of modules including ring modulator, lag processor, sample & hold, Schmitt trigger, and envelope follower

• ADSR and AR envelope generators with switchable time factor

• Fitted with a mechanical spring reverb for inspiring sound effects

• Noise Generator with continuously variable color

• 2 dedicated LFOs with pulse and sine wave outputs

• Switched Post Filter Distortion (PFD) / Inverter option on voltage processor

• Differential (+/-) input VCA with both linear and exponential control inputs

• Additional functions include attenuator, mixer, inverter, slew rate limiter and 4-way multiple for creative patching flexibility

• External audio input for processing of external sound sources

• 78 controls give you hands-on direct and real time access to all parameters

• 93 patchable inputs/outputs for the ultimate in configuration flexibility

• Comprehensive MIDI implementation with MIDI channel and Voice Priority selection
  

DESCRIPTION

The 1970s was a time when synthesizers were truly coming into their own as more and more musicians were adopting the instrument and making music that no one had ever heard before. Earlier synthesizers were massive and sophisticated devices that cost thousands of dollars, but in 1971, Alan R. Pearlman and Dennis Colin sought to create a more portable version of their huge ARP 2600 modular synth which they could market more towards musicians. Out of this concept came the ARP 2600 semi-modular synthesizer which became an instant hit and was quickly adopted by lots of renowned musicians including Edgar Winter, Pete Townshend, Herbie Hancock and Jean-Michel Jarre, to name a few. Soon after the first models were released, ARP made a bright blue version of Model 2600 called the “Blue Marvin”, named after ARP CFO Marvin Cohen. Then, in mid-1971, the blue face plate was replaced with a gray plate, and this new unit was nicknamed the “Gray Meanie.”

Now meet the Behringer 2600 GRAY MEANIE, a limited edition, ultra-affordable and even more feature-packed homage to the iconic ARP 2600 synthesizer. Compared to the original Behringer 2600, the GRAY MEANIE features a mechanical spring reverb, hand-picked components, uni-color LEDs on each fader plus a super slick paint job that’ll make your setup pop! Conjure up virtually any sound imaginable with incredible finesse and ease. The pure-analog signal path is based on the authentic ARP 2600 circuitry from the 70s with matched transistors and JFETs. Owning a GRAY MEANIE is like having your own piece of history enabling you to re-create timeless classics or forge your own musical path.

SPECIFICATIONS