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Behringer Multimode Filter / Resonator Module 1047
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Behringer Multimode Filter / Resonator Module 1047
MM HO
Al Shoala Building, Near Deira City Center, Port Saeed Area
Techniline Electronics Showroom, Ground Floor, Block E
Dubai DU
United Arab Emirates
MM Market
Al Shoala Building, Near Deira City Center, Port Saeed Area
Techniline Electronics Showroom, Ground Floor, Block E
Dubai DU
United Arab Emirates
MM Warehouse
Al Shoala Building, Near Deira City Center, Port Saeed Area
Techniline Electronics Showroom, Ground Floor, Block E
Dubai DU
United Arab Emirates
Pay as low as Dhs. 121.25\/mo. without fees with Tabby.
Free & Express Shipping in UAE Available.
Please note: Since this is a back order product we cannot guarantee when it will be available, please also note that the price is indicative and subject to change. Please contact us for more information
KEY FEATURES-
Classic-sounding 1047 analog multi-mode filter and resonator module from the '70s
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Authentic reproduction of the circuitry from the "2500" Series
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Consists of a highly resonant 12 dB state-variable filter capable of proving a wide variety of formant shaping and tonal modulation
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Filter simultaneously provides high-pass, band-pass, low-pass and notch outputs
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Coarse and fine controls adjust the cut-off frequency of the filter from 16 Hz to 16 kHz with 2 external control signal inputs and attenuators
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Resonance (Q) control adjusts the level of the resonant peak from 0 to 512 with an external control signal input and attenuator
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Keyboard percussion feature allows the filter to generate a wide range of percussive sounds
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A keyboard gate signal is connected to the external input with a keyboard CV connected to a frequency control input
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Striking a key will create percussive sounds when the Keyboard Percussion mode is activated
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When the keyboard is released the filter tone damps at a rate determined by Final Q
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Eurorack specs: 16 HP, XX mA +12 V, XX mA -12 V
DESCRIPTION
The first 2500 series synth modules came out in the 70s and tended to be extremely expensive. They were mainly all discrete transistor designs with some op-amps as at the time op-amps were high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like The Who, Jean Michel Jarre, Vangelis, Kraftwerk and so many more, giving us some of the greatest records and film soundtracks we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better.
SPECIFICATIONS
Inputs
| Input | |
| Type |
1 x 3.5 mm TS jack, DC coupled |
| Impedance |
50 kΩ, unbalanced |
| Max input level |
+18 dBu |
| Frequency CV input 1 | |
| Type |
1 x 3.5 mm TS jack, DC coupled |
| Impedance |
50 kΩ, unbalanced |
| Max input level |
±10 V |
| CV scaling |
1 V/oct. |
| Frequency CV input 2 | |
| Type |
1 x 3.5 mm TS jack, DC coupled |
| Impedance |
50 kΩ, unbalanced |
| Max input level |
±10 V |
| CV scaling |
1 V/oct. |
| Q CV input | |
| Type |
1 x 3.5 mm TS jack, DC coupled |
| Impedance |
50 kΩ, unbalanced |
| Max input level |
±10 V |
| CV scaling |
1 V doubles the Q factor |
Outputs
| Filter outputs (LP / HP / BP / Notch) | |
| Type |
4 x 3.5 mm TS jack, DC coupled |
| Impedance |
1 kΩ, unbalanced |
| Max output level |
+18 dBu |
Controls
| Coarse frequency |
1 x rotary knob, 31 Hz to 8 kHz |
| Fine frequency |
1 x rotary knob, x1/2 to x2 |
| Resonance (Q) |
1 rotary knob, Q = 0.5 to >256 |
| Resonance (Norm / lim) |
2-way sliding switch Normal / limiting, switchable |
| Frequency CV 1 / 2 attenuators |
2 x rotary knob, -∞ to unity gain |
| Q CV attenuator |
1 x rotary knob, -∞ to unity gain |
| Input attenuator |
1 x rotary knob, -∞ to unity gain |
| Notch frequency/fc |
1 x rotary knob, ±3 octave range |
Power
| Power supply | |
| Current draw |
55 mA (+12 V), 45 mA (-12 V) |
Physical
| Dimensions |
43 x 81 x 129 mm (1.7 x 3.2 x 5.1") |
| Rack units |
16 HP |
| Weight |
0.17 kg (0.37 lbs) |
